SEX EDUCATION S2
I’m so excited to see these beautiful editorial images, shot by Matt Holyoak, finally in the public domain. I produced this shoot for Netflix back in the autumn and have been itching to share them ever since! The full box set of Sex Eduction S2 is now available on Netflix. Please check out my portfolio page for more info and full credits for this shoot.
THE GREATEST DANCER
Late last summer I art directed this two day shoot for the BBC’s entertainment programme, The Greatest Dancer. We had a complex mirrored set and a huge shot list, but everything came together in the end! The Greatest Dancer is currently on air and also available on BBC iPlayer.
Photographer: David Ellis
Fate: The Winx Saga
Lastly, this is the first look image for new Netflix drama, Fate: The Winx Saga. I am currently managing the photography for this live action adaptation of the original Italian animation series, shooting in Ireland.
This new Channel 4 drama created by The Forge Entertainment is now on our screens and it’s been great to see the publicity photography, shot by Simon Ridgway and Warren Orchard, in the press and online.
I worked closely with The Forge, Channel 4 and All3Media to manage unit photography edits, cast approvals and final image delivery to all stakeholders for this fantastic new drama.
JUNIOR DOCTORS S5
Earlier in the year I art directed this shoot for the BBC3 documentary series, Junior Doctors S5, now available on BBC iPlayer. Many different options were shot throughout the day at the Salford Royal Hospital but this fun shot, for use on social media, is definitely my favourite.
Photographer: Ryan McNamara
Sometimes my projects are not just about the creative! For the last few weeks I’ve been working closely with The Forge Entertainment, BBC Creative and All3Media to manage the cast approvals and final delivery of stills photography to stakeholders for Dark Mon£y, a new four part drama for BBC One.
SCAMPS AND CREATIVE VISUALISATION
And lastly, commissions for scamps, storyboards and visualisation of ideas and concepts continues to be very popular. All my commissions so far this year are still under embargo, but the above scamp for Sherlock is a good example of my illustration style.
If you’d like to see more examples of my work, please click on the link below.
Last week saw a last-minute shoot land on my coffee stained desk. Microseconds before I let out a shreak of despair at my burgeoning TO DO list, I thankfully noticed that the shoot was for Eurovision 2015, and all was right with the world again 🙂 Even better, I managed to catch the lovely Sarah Dunn on a rare quiet week and she jumped at the chance to do the cheesiest shoot in Europe 😉
Well actually, the shoot was not cheesy AT ALL. In fact, I hope you’ll agree, it’s rather lovely. Good luck Bianca and Alex!
Publicity pictures for the upcoming Winter Olympics in Russia finally went live yesterday, so I’m now allowed to talk about them!
This shoot was probably one of my favourites of 2013. The idea for putting the BBC’s key presenters in a dynamic winter environment came from the brief for the TV trail. Often sports presenter images can be quite static as it’s hard to know what kind of environment they should occupy. The first thought is to put them on the pitch/track/slopes, but they aren’t athletes, so this could get a bit visually confusing for the audience. This time the creative proposal for the trails was really inspiring and I found a way to tie these images into that creative and produce something a little bit different. I hope you agree that they work really well!
The photographer for this shoot was Adrian Myers, someone I hadn’t worked with for a while but I knew his style would suit this idea very well. We also pulled in SFX make-up artist Bill Turpin to create the ice and snow effects on our presenters. I felt it was essential we do this in camera rather than trying to achieve it in post production. I really wanted it to feel like our presenters were up there on those fantastical looking slopes, freezing and gritting their teeth against the harsh conditions, just to report back the top stories!
Lastly, the super talented Kaia Zak brought all the elements together in post production. The beautiful wintery backgrounds were created by the CG company building the TV trail. High res renders were supplied to us before the stills shoot and Adrian matched the lighting on the day to the light conditions in the backgrounds. A fantastic job all round and a really fun day, rounded off with a fake snow and ice fight! 🙂
BBC coverage of the Winter Olympics starts on BBC Two on February 6th!
The new series of Citizen Khan kicks off tonight on BBC One and I am finally able to show you a couple of my favourite photographs created for the series.
All the main set ups were shot by the lovely Jay Brooks in Manchester after the cast had finished doing one of the studio recording sessions with a live audience. We had decided to build our alternative ‘lounge’ set in the studio next door to give us more room to work than on the actual set used for the programme. This also gave us time to set up and test the lighting while the live episode was being recorded.
As usual Jay’s lighting was exceptional. The finished shots inevitably needed a couple of ‘head swaps’ and other retouching work to get just the right combination of facial expressions, but little aside from that. This was managed by one of our great in-house designers, Alicia Kulikowski, who has since moved to Montreal (we still miss you Alicia!!! sob). I can’t remember what kit Jay used (sorry – maybe a later post!) but I know we were shooting straight to Capture One on his Mac laptop so the producer could review the images as they were being shot.
Just a quick pic of me with Kiss FM’s Rickie & Melvin at the end of our shoot. I seem to be collecting quite a few random shots of me with various actors or on set in a random location 🙂
This was shot by the lovely Jay Brooks and I was actually doing the publicity stills for BBC3’s Sweat the Small Stuff which is on air at the moment.
Last weekend I had a brief respite from the rain in London, shooting at the Mediterranean Film Studios in Malta.
Here are a couple of behind the scenes shots. Zena was using a Canon 5D with underwater housing.